Category Archives: consciousness and knowledge

reflections on the consciousness of experience, whether “practical,” or “discursive” or fully “modeled.”

My (M’I) experience(s) of the Colloquium

My (M’I) experience(s) of the Colloquium

I have written about participants’ “experience” of moments, settings, scenes, such as–say–a seminar when first and second year doctoral students in anthropology present their work and discuss it in front of program faculty.  At Teachers College, what is known as “The Colloquium” is famous among all who participate, or have participated, as “quite an experience.”

The faculty like to tell students, during discussions of difficult passages in Durkheim, Marx, or Weber, to imagine how this or that point might apply to, precisely, this colloquium in which they are participating.  Now, how would one phrase a research question about the colloquium to address the possibility, attested by anecdotal reports in bars and corridors, that it is indeed “quite an experience?”

A good student might ask “how do students (faculty) experience the colloquium?”  and then spend a lot of time writing about the room, the demographics (gender/age/ethnicity/etc.) of student and faculty, the biographies of some, the rules spelled out by the faculty, etc.  At the end of the presentation of all this information, a faculty member might ask: what does this information tell us about the students’ experience?  Another one might quip that it depends on what you mean by ‘experience’ and how the question is asked–given that there might be at least two not quite commensurable ways of understanding ‘experience’, asking research questions about it, and then using particular techniques to answer the question. Still another might ask what the distinction is.

Very briefly, what might wonder what are the matters that trigger an experience, a wonder that might be phrased as “what do participants experience in the colloquium?” with answers such as “some participants evaluate performance, other participants are evaluated.”

One might also wonder what is the personal experience of the colloquium, a wonder that might be phrased in the same way but with answers of the type “some are anxious, some are bored, some are angry” leading to questions differentiating participants with answers such as “more women are anxious than men” which of course would be misleading given that in recent years there have been very few men among the students while all faculty are men.  So we would be led to divide the participants further, adding other categories (such as race, age, citizenship status, etc.).

The possibility of confusion has a long history.  So, when I teach anthropological methods, I always start with the last two pages of Malinowski’s classic introduction to The Argonauts of the Western Pacific (1961 [1922]).  Malinowski starts with a  list of everything an ethnographer should collect:

1. The organization of the tribe, and the anatomy of its culture must be recorded in firm, clear outline. The method of concrete, statistical documentation is the means through which such an outline has to be given.
2. Within this frame, the imponderabilia of actual life, and the type of behavior have to be filled in. They have to be collected through minute, detailed observations, in the form of some sort of ethnographic diary, made possible by close contact with native life.
3. A collection of ethnographic statements, characteristic narratives, typical utterances, items of folk-lore and magical formulae has to be given as a corpus inscriptionum, as documents
(1961 [1922]: 24)

This is a list the Foucault of The Order of Things (1970 [1966]) would appreciate in the wonderful arbitrariness of its distinctions.  But Malinowski then proceeds to tell us that all this is only a step towards “The final goal [which] is to grasp the native’s point of view, his relation to life, to realise his vision of his world” (1961 [1922]: 25).  This phrase has had a famous history in Geertz’s discussion (1976) which led him to the skepticism of the end of his career when he despaired of anthropologists ever getting at this “point of view” which he understood as a personal, though public, matter.  He had pushed Weber (not to mention Margaret Mead and most second generation Boasians) into an impasse.  Almost by definition, particularly given our current understanding of the limits of linguistic or symbolic expression, personal experiences are unreachable.

I agree with this and it is one of the reasons why I have more and more systematically presented my work as not concerned with something that psychologists may still struggle to get at, but which I am convinced no extent ethnographic technique can reach.  But I do not agree with my “post-modernist” peers on what is to follow for anthropology.  Malinowski, like Boas, and then many others in sociolinguistics, conversation analysis, ethnomethodology, and indeed anthropology, have kept telling us that there are other matters of human activity that are reachable.  Moreover, precisely because of what we have learned about the historical consequences of public symbolic expression, we have no choice but to pay very close attention to such expression, as it unfolds in time and space—and to challenge each other to ever greater rigor.

To summarize, provocatively perhaps, “my” experiences of the colloquium are not “m’I” experiences.  That is any experience one might plausibly attach to Hervé Varenne’s “self” (in G. H. Mead’s sense) or “identity” (in what I take to be the most common sense of the term these days), are at best “interpretations,” classifications into a culture or discourse.  M’I experiences are un-speakable and so, as McDermott and Varenne have said, we should turn aside and look for what others do to ‘I’.

[This is something of a development on my December 28, 2010, post]

more on intentionality

One of the most puzzling aspect of facing for the first time G.H. Mead’s (and all other pragmatists’) consideration about meaning is what happens to “intentionality” when the emphasis is placed on the openness of what is said until the “third turn” when the interpretant kicks in and that which has been done is settled, at least for a time. Students understand the argument (thanks to “what time is it” illustration) but one at least will be upset and ask the question: “are you really discounting the intention of the first actor?” I have to say ‘yes’ to that, but this cannot be the end, if only because it does not quite satisfy the common sense of the student(s) who remain convinced that action is founded on intentions and that research should emphasize those, if only to preserve the autonomy of the individual, “agency.” Students may not realize the ideological grounding of the insistence on intentionality, but they do insist.

Once thinking about this, I also realized that another aspect of my teaching Mead, or Garfinkel, is my insistence that cultural patterns (the ensemble of a identifiable three turn sequence) can be oppressive on all the individual participants (culture disables). At that moment, I have re-introduced the individual as a separate entity. As Ray and I have written several times, the individual can be a “unit of concern” (1998: 217).

But, if this is so, then the individual is also a unit possibly suffering because of the gap between that which she intended and that which it is now publicly acknowledged has happened.

I tried to say this in Chapter 8 of Successful Failure but I never got the sense that this piece was successful. Even I, sometimes, have a hard time reading it. So it needs to be said more easily. The power of Mead’s analysis lies in his insistence that we can indeed talk about an ‘I’, that the ‘I’ refers to an experience even though it cannot be identified without doing the violence to it that Ray and I attribute to “culture.”

So, it is not that individuals do not have intentions, but that their intentions are not the primary motor of the constitution of an event so that it gets known as having happened. Society cannot be explained by intentions (or by learning, etc.). Interaction can produce acknowledged (canned) intentions, and one of the purpose of social analysis can be to distinguish between such labeled intentions and the always-to-remain mysterious ‘I’ that moved others to label the actor.

The acting ‘I’ is free.

 
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